1 | Balbastre's Romance (1778) | 02:51 |
2 | This Is A Sound Spectrogram (1979) | 02:21 |
3 | Scripture's Curves (1906, 1916) | 01:25 |
4 | Phonophotography (1928) | 01:22 |
4a | Swing Low, Sweet Chariot | |
4b | I Heard The Voice | |
4c | Little David | |
5 | Peasant Songs Of Great Russia (1905) | 07:35 |
5a | Ye Hills | |
5b | Ye Hills | |
5c | Ye Hills | |
5d | As Among Us In Holy Russia | |
5e | We Hired The Land | |
5f | Ah, Black Rowed Doonia | |
5g | Luther's Choral, Ein Feste Burg | |
6 | Speech On Forefather's Day (1898) | 02:03 |
7 | Numbers And Letters (1890) | 01:10 |
8 | Melography | 01:39 |
8a | Excerpt From Bach, Fugue XXI | |
8b | Excerpt From Beethoven, Sonata No. 3 | |
9 | Schalldruck (1889) | 02:33 |
10 | Der Handschuh (1890) | 02:20 |
11 | Balance To Corners (1879) | 00:49 |
12 | Sailing, Sailing (1885) | 01:17 |
13 | From Chopin's "Berceuse" (1900) | 01:34 |
14 | Au Clair De La Lune--S'il Faut Qu'à Ce Rival--Vole, Petite Abeille (1860) | 05:34 |
14a | Au Clair De La Lune | |
14b | Au Clair De La Lune | |
14c | S'il Faut Qu'à Ce Rival | |
14d | S'il Faut Qu'à Ce Rival | |
14e | Vole, Petite Abeille | |
14f | Vole, Petite Abeille | |
15 | Gamme De La Voix--Épellation Du Mot "Rira"--Le Jour N'est Pas Plus Pur--Chi Chederia Che Sotto Forme Umane--Et Incarnatus Est (1860) | 04:26 |
15a | Gamme De La Voix | |
15b | Épellation Du Mot 'Rira' | |
15c | Le Jour N'est Pas Plus Pur | |
15d | Chi Crederia Che Sotto Forme Umane | |
15e | Et Incarnatus Est | |
16 | Phonautograms From 1857 | 04:28 |
16a | Chant De La Voix--Changement De Ton | |
16b | Tuyau De Frêne | |
16c | Style De Soie | |
16d | Notre Père Qui Êtes Aux Cieux | |
16e | Êtude Sur Le Timbre De La Voix | |
16f | Un Son De Voix Grave | |
16g | Jeune Jouvencelle | |
17 | Magia Phonotactica (1650) | 03:58 |
17a | Cylindrus Phonotacticus In Planum Proiectus, Vnacum Dentium Harmonica Dispositione | |
17b | Cylindrus Phonotacticus In Planum Proiectus, Vna Cum Dentium Harmoica Dispositione, Qua Præcedentis Triphonij, Voces, Notarum Situs, & Temporum Mensura Exacte Indicantur | |
17c | Tripla In Cylindrum Transferenda | |
17d | Quadratum Phonotacticum. Terestismos Seu Diminutiones Notarum, Quas Vulgó Trillos & Grupos Vocant Exacta Diusione Continens | |
17e | Monodium Diatonico Chromatico-Enharmonicum In Dylindro Phonotactico Exhibendum | |
18 | Sprachzeichner (1887) | 01:06 |
18a | (K)ara | |
18b | Karre | |
18c | Kasse | |
18d | Bemmo | |
19 | Manometric Flames | 01:19 |
19a | Flammenbilder Der Vocale U, O, A, E, J Gesungen Auf Die Noten Der Zwei Octaven Von C Bis Cˉ (1872) | |
19b | The Phography Of Manometric Flames (1898) | |
20 | Brown University, How Do You Do? (1878) | 01:28 |
20a | "How Do You Do?" (X2) | |
20b | "Ah, Ay, E, I, O, U" | |
20c | "Brown University" | |
20d | "Brown University" | |
20e | "How Do You Do?" | |
20f | "Brown University" | |
20g | "Brown University" | |
20h | "How Do You Do?" | |
21 | Clemens Rector Aeterne (1250) | 10:01 |
22 | Alleluia (1206) | 02:03 |
23 | Dots Before Scott's | 01:13 |
23a | Notations Générales De Physique Et De Météorologie À L'usage De La Jeunesse (1853) | |
23b | A Course Of Lectures On Natural Philosophy And The Mechanical Arts (1807) | |
23c | Tentamen Novae Theoriae Musicae (1739) | |
23d | A Philosophical Essay Of Musick (1677) | |
24 | Scolica Enchiriadis (9th C.) | 02:46 |
25 | Musica Enchiriadis (9th C.) | 05:53 |
26 | Melody And Measure Of Speech | 01:36 |
26a | "To Be, Or Not To Be..." (1775) | |
26b | "If Thou Dost Slander Her..." (1827) | |
27 | What Hath God Wrought? | 01:01 |
27a | Letter From Samuel F.B. Morse To Francis O.J. Smith (1838) | |
27b | First Telegraphic Message (1844) | |
28 | Barcelonnette (1778) | 01:23 |