1 | Goldberg Variations, BWV 988: Aria | 03:00 |
2 | Concerto for Harpsichord, Strings, and Continuo no. 5 in F minor, BWV 1056, adapted for Mandolin and Orchestra by Avi Avital: II. Largo | 02:46 |
3 | The Well-Tempered Clavier: Book 1, BWV 846-869, arr. for strings by E. A. Förster: Fugue in F minor, BWV 857 | 04:08 |
4 | Herz und Mund und Tat und Leben, Cantata BWV 147: Jesu, Joy Of Man's Desiring (Arr. Guillermo Figueroa) | 03:24 |
5 | The Well-Tempered Clavier: Book 1, BWV 846-869: Fugue in C-sharp minor BWV 849 | 04:14 |
6 | Violin Concerto no. 1 in A minor, BWV 1041: II. Andante | 06:03 |
7 | Partita no. 1 in B-Flat major, BWV 825: Sarabande | 04:45 |
8 | Viola da Gamba Sonata no. 3 in G minor, BWV 1029: II. Adagio | 06:21 |
9 | Suite For Cello Solo no. 2 in D minor, BWV 1008, Transcribed for Solo Guitar by Göran Söllscher Transcribed for Solo Guitar by Göran Söllscher: II. Allemande | 03:18 |
10 | Double Concerto for 2 Violins, Strings & Continuo in D minor, BWV 1043: II. Largo ma non tanto | 06:53 |
11 | St. Matthew Passion, BWV 244, Part Two: no. 39 Aria (Alto): "Erbarme dich" | 06:10 |
12 | Suite in E major For Lute, BWV 1006a: III. Gavotte (Arr. Guitar) | 03:23 |
13 | English Suite no. 6 in D minor, BWV 811: IV. Sarabande | 03:53 |
14 | Widerstehe doch der Sünde, BWV 54 (Transcr. by Víkingur Ólafsson) | 04:25 |
15 | Herr Gott, nun schleuß den Himmel auf, BWV617: Arr. Busoni | 03:10 |
16 | Concerto for Oboe d'amore (Arr. Tarkmann after BWV 209), Concerto for Oboe d'amore (from BWV 209): II. Andante | 07:36 |
17 | Jesus nahm zu sich die Zwölfe, Cantata BWV 22, arr. for piano by Harriet Cohen (1895: 1967): Sanctify us | 03:13 |
18 | The Art Of Fugue, BWV 1080, Version for String Quartet: Contrapunctus I | 03:04 |
1 | Orchestral Suite no. 3 in D major, BWV 1068: II. Air | 04:53 |
2 | Concerto For Piano no. 1 in D minor, BWV 1052: II. Adagio | 07:12 |
3 | Violin Concerto no. 2 in E major, BWV 1042: II. Adagio | 06:36 |
4 | Flute Sonata in E minor, BWV 1034, adapted for Mandolin and Continuo by Avi Avital: III. Andante | 03:22 |
5 | Italian Concerto in F major, BWV 971: II. Andante | 04:58 |
6 | Suite for Solo Cello no. 6 in D major, BWV 1012: IV. Sarabande | 06:07 |
7 | Prelude For Lute in C minor, BWV 999: transcription for guitar in D minor | 01:33 |
8 | Goldberg Variations, BWV 988: Var. 15 Canone alla Quinta in moto contrario | 05:38 |
9 | Flute Sonata in E-flat major, BWV 1031: II. Siciliano (Arr. Andreas N.Tarkmann) | 02:11 |
10 | Concerto for 2 Harpsichords, Strings & Continuo in C minor, BWV 1060, Reconstruction For Oboe, Violin, Strings & Continuo: II. Adagio | 04:29 |
11 | Goldberg Variations, BWV 988, Arranged for Harp by Catrin Finch: Var. 21 Canone alla Settima | 02:16 |
12 | French Suite no. 3 in B minor, BWV 814: III. Sarabande | 03:08 |
13 | Suite for Cello Solo no. 1 in G major, BWV 1007, Transcribed for Solo Guitar by Göran Söllscher: I. Prélude | 02:42 |
14 | Nun komm der Heiden Heiland BWV 659 | 04:35 |
15 | French Suite no. 2 in C minor, BWV 813: III. Sarabande | 03:12 |
16 | Arioso (Adagio in G) from Cantata BWV 156 (Arr. Julian Lloyd Webber) | 02:54 |
17 | Concerto for Oboe (from BWV 105, 170 & 49): II. Andante | 06:14 |
18 | Liebster Jesu, wir sind hier, BWV 731: Arr. piano Harriet Cohen | 03:33 |
19 | "Kommt, eilet und laufet" Cantata, BWV 249: "Oster-Oratorium": Adagio | 04:14 |
20 | Recomposed by Peter Gregson: Bach: Cello Suite no. 1 in G major, BWV 1007: I. Prelude | 02:02 |